Jeremy, I hate it when I agree with you because I feel like it makes our blog so boring. Instead of lambasting you, I’m just saying, yeah, good point. Which is not that interesting because we are supposed to be contrasting views on arbitrary themes.
Also, as we discussed online earlier, you writing a post about the Karate Kid (or the remake) with me as a sounding wall is kind of pointless since I have not seen either film. Although, it sounds like I’m not to blame for the second one since it hasn’t been released yet. It’s akin to me posting about the hassles of getting my period and expecting you to deliberate what it’s like being a woman with me.
On a broader note, as far as remakes go, Hollywood is to blame for the the general impressiveness: either the original stunk and a remake was necessary, or they are unimaginative and running out of ideas. Either way, both are depressing realities to face for a nation waiting patiently while reclining on the couch for someone to inspire us pay $12 to sit in the darkness snacking on overpriced junk food while visually ingesting drivel. A positive outlook, I know.
To compare it to a similar idea … why are some musical covers more successful than others? Why is it okay for Susan Tedeschi to slay Angel From Montgomery and Don’t Think Twice, but it’s not okay for a director to remake Karate Kid, The Parent Trap or Carrie? Why is it okay to remake the Bourne Identity, but not okay for Madonna to massacre American Pie? Why can I not stomach American Idol? If an artist, be it an actor, singer, musician, producer or director, can somehow make the piece their own and it is artistically new and interesting enough, then bring on the covers and the remakes. If you are going to revisit history, best to interpret it, rather than regurgitate it. If, however, you are simply going to record the original with your voice and/or new mediocre actors, please don’t bother. The original, even a completely forgettable one, will still blow any successive version out of the water.
Movies are a much more challenging undertaking due to the amount of people involved, the length, and the confines of the story. Baz Luhrmann’s 1996 remake of Romeo and Juliet is one of the few that comes to mind and its success lies in his placing it in modern day. Unfortunately, this was not an effective approach for Gil Junger’s 1999 movie, 10 Things I Hate About You. Had Julia Styles not been hot and grating on a table, this would have been forgotten rapidly. On a side note, I’m relieved that Hollywood has stopped trying to push crappy movies with the whole “based on a Shakespeare text” defense.
Will this new version of The Karate Kid shed new light on the relationship between student and teacher? Will the acting provide new depth to the characters? Will the setting, the medium switching to kung-fu, the star power of young Mr. Smith and Jackie Chan make this newer version go down in the record books? Probably not. And chances are, I’m not going to see it anyway. But, I am looking forward to Grace Potter’s new album, if I can get my hands on it. She killed, in a heel stompingly good way, the Beatles classic, Come Together, the last time I saw her live in Burlington. When done well, I love the revisiting of an old classic, the respect shown to the artists that have come before and influenced today’s creators. I would be upset if it weren’t happening.